tag:blogger.com,1999:blog-118006032024-03-07T10:00:46.872-08:00SixtyFour Artssixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.comBlogger25125tag:blogger.com,1999:blog-11800603.post-61262152966877030312015-02-15T09:16:00.000-08:002015-02-16T22:46:35.986-08:00Vani Vilasa Sagara<div dir="ltr" style="text-align: left;" trbidi="on">
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Much before KRS dam was constructed, the erstwhile Mysore state had built a huge dam in another part of the state. The reservoir created by the dam is picturesque and could potentially be a wonderful tourist spot. </div>
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Vani Vilasa Sagar is a reservior created by the dam of the same name in Hiriyur Taluk of Chitradurga district in Karnataka. The dam is also known as Mari Kanive and is built across River Vedavati. It was built by the erstwhile rulers of Mysore state, the Wodeyars. Initiated by Dewan Seshadri Iyer, the construction of dam was started in August 1898 and it took 9 years to complete it in August 1907. The dam is named after the Queen Regent of that time Sri Vani Vilasa Sannidhana(mother of Nalvadi Krishnaraja Wodeyar after whom KRS is named). The dam is a major water source for Chitradurga town and irrigates the Hiriyur and Challakere taluks. <br />
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The machines for the dam gates have been imported from England, just like in KRS, from a company called Ransomes & Rapiers Limited of Ipswich.<br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small; text-align: left;">The river downstream from the dam</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Windmills on the hills adjacent to the reservoir.</td></tr>
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<tr><td class="tr-caption" style="text-align: center;">Stairs for viewpoint</td></tr>
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The reservoir could be a wonderful spot for water sports and can be developed as a tourism circuit along with Chitradurga fort.<br />
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Location : <span style="background-color: white; color: #3a84df; font-family: Roboto, Arial, sans-serif; font-size: 11px; line-height: 16px; text-decoration: underline;">13.887311, 76.489596</span></div>
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Getting there : From Bangalore, take NH4 upto Hiriyur. Take the Hosadurga road from Hiriyur town. Vani vilasa sagara is around 20kms from Hiriyur.</div>
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sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com3Chitradurga, Karnataka, India13.88207902520352 76.48818969726562513.82041352520352 76.407508697265627 13.94374452520352 76.568870697265623tag:blogger.com,1999:blog-11800603.post-53986266451388170202009-05-19T03:10:00.000-07:002009-05-19T08:26:28.672-07:00GAE integration with BlazeDS in EclipseLet me write down the steps for integrating BlazeDS with Google App Engine in Eclipse. Before that here is the list of things you will need.<br /><br />1)Eclipse 3.3(I use this one, any other version should also be fine provided you have other plugins)<br />2)Flex Builder 3 plugin for eclipse<br />3)BlazeDS files(JARs and XMLs)<br />4)Google App Engine plugin for eclipse<br /><br />Ok lets get started...<br />Create a Google App Engine Project. Enable Flex Nature for it.<br />Put project_name/war folder for Root Folder in Flex Builder configuration for the project.<br />Root URL : The URL where the Google App is running.<br />Root Context : Leave it blank.<br /><br />Make sure you are running the server and validate the configuration.<br /><br /><br />Copy the XMLs from BlazeDS Project into WEB-INF/flex folder, heres the list of them<br /><br />services-config.xml<br />proxy-config.xml<br />remoting-config.xml<br />messaging-config.xml<br /> <br />Copy the JARs into WEB-INF/lib folder, heres the list.<br />backport-util-concurrent.jar<br />commons-httpclient-3.0.1.jar<br />commons-logging-1.1.jar<br />concurrent.jar<br />commons-codec-1.3.jar<br />flex-messaging-common.jar<br />flex-messaging-core.jar<br />flex-messaging-opt.jar<br />flex-messaging-proxy.jar<br />flex-messaging-remoting.jar<br /><br /><span style="font-weight: bold;">Add xalan.jar also as I had faced the servlet initialisation problem without it.</span><br /><span style="font-style: italic; color: rgb(255, 102, 102);">MessageBrokerServlet failed to initialize due to runtime exception: Exception: java.lang.RuntimeException: XPathFactory#newInstance() failed to create an XPathFactory for the default object model:</span><br /><br />Add <br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuwlnEAIC8xZOQF6p02LS3K_6T3QatA5Pn-l1mgBLPkTLE3-8wlwshJXyAu2sVDaCP5GAobqqDlwVyjlW83oQDPm0LNlYe-IdgJ42B4gy8N1_wltulCp1sYxVfmwPNsjytphDPyQ/s1600-h/appengine.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 57px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhuwlnEAIC8xZOQF6p02LS3K_6T3QatA5Pn-l1mgBLPkTLE3-8wlwshJXyAu2sVDaCP5GAobqqDlwVyjlW83oQDPm0LNlYe-IdgJ42B4gy8N1_wltulCp1sYxVfmwPNsjytphDPyQ/s320/appengine.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5337547103673697138" /></a><br /><br /> to the appengine-web.xml<br /><br /><span style="font-weight: bold;">Add AMF Servlet to the web.xml</span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8LEtyNOLhCpx1p4IXqo4tHxNxecAtBODYcf_wzBYHZHlRguOXEE_qtGfuLP1ObYCKM5iTKMQDcEzobLEBm4sv-1lESfz59ry3T5_ZaWiZk0Qmpw5XBLfEEro0JESO8G2amftdRQ/s1600-h/servlets.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 320px; height: 194px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8LEtyNOLhCpx1p4IXqo4tHxNxecAtBODYcf_wzBYHZHlRguOXEE_qtGfuLP1ObYCKM5iTKMQDcEzobLEBm4sv-1lESfz59ry3T5_ZaWiZk0Qmpw5XBLfEEro0JESO8G2amftdRQ/s320/servlets.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5337548308412000786" /></a><br /><br /><br /><span style="font-weight: bold;">Make sure you have war/classes/META-INF/jdo-config.xml</span><br /><br /><span style="font-weight: bold;">Disable JMX by making the value false in services-config.xml</span><br /><br /><br /><br /><span style="font-weight: bold;">Disable the system redeploy by making the value 'false' in services-config.xml</span><br /><span style="font-weight: bold;">Enabling this creates a thread when you redeploy the application, which is not allowed by GAE</span><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3ke_BSa5SmHwozYC3egbLBY1WNrhXIq_5DSs-xw6sKvyNvuuEa3y3iRKmR8nPgHcD7jGQovKuNJNtF6jhDmcxO7E28kZkBM1siQvnEmfJ817jIfFis1QGPG5b3zAr1NyvA6NDlg/s1600-h/redeploy.jpg"><img style="display:block; margin:0px auto 10px; text-align:center;cursor:pointer; cursor:hand;width: 306px; height: 72px;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3ke_BSa5SmHwozYC3egbLBY1WNrhXIq_5DSs-xw6sKvyNvuuEa3y3iRKmR8nPgHcD7jGQovKuNJNtF6jhDmcxO7E28kZkBM1siQvnEmfJ817jIfFis1QGPG5b3zAr1NyvA6NDlg/s320/redeploy.jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5337548016559393218" /></a><br /><br /><br />These steps are enough to have the Application running.sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com32tag:blogger.com,1999:blog-11800603.post-71673909797292396512008-09-22T02:39:00.001-07:002008-09-22T03:21:40.755-07:00Vegetarian Food in MalaysiaI just wanted to document the availability of vegetarian food in Malaysia. Its not at all difficult to find vegetarian food in Malaysia as 10% of Malaysians are of Indian origin. <br /><br /><span style="font-weight:bold;">KUALA LUMPUR</span><br /><br />In Kuala Lumpur, there are lots of vegetarian restaurants(mostly Indian, rarely Chinese), which are 100 % vegetarian.There are lots of other Indian restaurants providing both non-veg and veg. They are predominantly south indian restaurants.<br />What is interesting to note is that,some vegetarian restaurants have mushroom also in their menu, some even have Vegetarian Chicken,Mutton etc...which are made out of soya.<br />The most prominent places where you will find these veg restaurants are Masjid India,Lebuh Ampang(both near Masjid Jamek LRT station) and Brickfields(near KL Sentral). Prominent ones being Sangeetha and Saravana Bhavan(Hotel chains from chennai). <br />Maggi noodles available here contain chicken fat, so that option is ruled out. Some other instant noodles(100%veg) are available but they contain MSG,not a healthy option unless you are starving.It is easy to get provisions for indian cooking easily here.<br />Milk is available in cartons in all Seven-Eleven Shops. You can also buy it from the restaurants.<br /><br />Melaka, Seremban, Penang and all the big cities should have vegetarian restaurants usually near the Little Indias. There is WoodLands and Ananda Bahwan(The spelling is correct) in Georgetown.<br /><br />I did not find any pure veg restaurants in Sungai Petani.<br />There is none in Pulau Redang(Redang Island). I survived by eating bread and jam, which I had carried along from KL.<br />You may find some Indian restaurants in Kuala Terengganu but serves both veg and non-veg.<br />There is one Indian restuarant in Genting HighLands which serves both veg and non-veg.<br /><br />There is not much option when you go out of Kuala Lumpur. McDonald outlets are everywhere and you can survive eating just french fries.<br /><br />Note: Found out after writing this post that you can get lot more information in this website <a href="http://www.happycow.net/">http://www.happycow.net/</a>sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com4tag:blogger.com,1999:blog-11800603.post-57119526517074313302008-09-22T02:20:00.000-07:002008-09-22T02:32:15.656-07:00sandyabcdwhats your blog called?whats the link?sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com0tag:blogger.com,1999:blog-11800603.post-4244140334320143172007-09-15T11:10:00.000-07:002008-11-13T10:53:19.693-08:00Thorapalli<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsdUkA7TfsoA5B9D6LIALPAVIA8NIYyeKLFWM6enlkyQGsDlMB56DRwpJATSpMC6Mi8Jki0Y_B-jWIGCOEfOASpAZlhVQbvRk35yGd2ZZw2c_NEdGJCTrpapbp-gCvKhUifrK5Lw/s1600-h/Image(343).jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhsdUkA7TfsoA5B9D6LIALPAVIA8NIYyeKLFWM6enlkyQGsDlMB56DRwpJATSpMC6Mi8Jki0Y_B-jWIGCOEfOASpAZlhVQbvRk35yGd2ZZw2c_NEdGJCTrpapbp-gCvKhUifrK5Lw/s320/Image(343).jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5110495845257585778" /></a><br /><br /><br />Thorapalli, 10 km from Hosur in Krishnagiri district is a small village but has great importance in the indian history. It is the birthplace of India's first and last Governor General C. RajaGoplachari.<br /><br />Rajaji was born and brought up here in this village. The house where he lived is still there and is mainatained by the Govt of TamilNadu.The house has been turned into a memorial.A bust of the leader has been installed. The memorial houses a library and a gallery of pictures, capturing interesting moments in Rajaji's life.<br />There is also a temple besides the memorial. The village is situated on the banks of river South Pinakini(Palar).<br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlqn8BfmposK1-IpIid6ouVNFUmntWGAOEk0ueif9XHszFP5YW0PonF2Jn5KKkZGByXt5sTvuAT_ki_BfxmOAWP7FYX3KNRBfrfnPPLLxNj7SSdKZbJbIWixg85Ie-l5ZmcBRVXg/s1600-h/Image(344).jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjlqn8BfmposK1-IpIid6ouVNFUmntWGAOEk0ueif9XHszFP5YW0PonF2Jn5KKkZGByXt5sTvuAT_ki_BfxmOAWP7FYX3KNRBfrfnPPLLxNj7SSdKZbJbIWixg85Ie-l5ZmcBRVXg/s320/Image(344).jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5110495849552553090" /></a><br />It can be reached from the town of hosur.Take NH-7 towards krishnagiri from hosur, till you reach perandapalli. Turn right here, you will find a big welcome arch with letters in Tamil, welcoming you to the birthplace of Rajaji. It is 3 kms from here.<br /><br /><br /><br />View of River Dakshina Pinakini from the village<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzmSvhBCoUyPzosjPHhE5S44oGIP6YIeqiyEW_SiBairveHRbofHUlBGynRCLyPRmLk3wCtNKybHZHXvp0pDyS4VobxKCFuo0-xPJysgp0awMdAh_YQP4Xjpb1wJ4n7aevnERiOA/s1600-h/Image(351).jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgzmSvhBCoUyPzosjPHhE5S44oGIP6YIeqiyEW_SiBairveHRbofHUlBGynRCLyPRmLk3wCtNKybHZHXvp0pDyS4VobxKCFuo0-xPJysgp0awMdAh_YQP4Xjpb1wJ4n7aevnERiOA/s320/Image(351).jpg" border="0" alt=""id="BLOGGER_PHOTO_ID_5110495853847520402" /></a>sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com1tag:blogger.com,1999:blog-11800603.post-17291048135314028902007-07-14T02:05:00.000-07:002007-07-14T02:14:42.164-07:00Medicinal PlantsHere is a list of medicinal plants of India with their Sanskrit and Botanical Names and the remedies. Hope it helps somebody.<br /><br /><table style="border: medium none ; width: 447px; margin-left: 5.4pt; border-collapse: collapse; height: 484px;" border="1" cellpadding="0" cellspacing="0"> <tbody><tr style="height: 0.25in;"> <td style="border: 0.5pt solid windowtext; padding: 0in 5.4pt; width: 99.75pt; height: 0.25in;" valign="top" width="133"> <p class="MsoNormal"><b>Sanskrit<o:p></o:p></b></p> </td> <td style="border-style: solid solid solid none; border-color: windowtext windowtext windowtext -moz-use-text-color; border-width: 0.5pt 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 0.25in;" valign="top" width="276"> <p class="MsoNormal"><b>Botanical Name<o:p></o:p></b></p> </td> <td style="border-style: solid solid solid none; border-color: windowtext windowtext windowtext -moz-use-text-color; border-width: 0.5pt 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 0.25in;" valign="top" width="251"> <p class="MsoNormal"><b>Remedies<o:p></o:p></b></p> </td> </tr> <tr style="height: 17.25pt;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 17.25pt;" valign="top" width="133"> <p class="MsoNormal">Vaasa</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 17.25pt;" valign="top" width="276"> <p class="MsoNormal">Adhatoda zeylanica</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 17.25pt;" valign="top" width="251"> <p class="MsoNormal">Cough,Fever</p> </td> </tr> <tr style="height: 17.25pt;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 17.25pt;" valign="top" width="133"> <p class="MsoNormal">Madayantika</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 17.25pt;" valign="top" width="276"> <p class="MsoNormal">Lawsonia inumis</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 17.25pt;" valign="top" width="251"> <p class="MsoNormal">Cracks in the foot,heat</p> </td> </tr> <tr style="height: 0.25in;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 0.25in;" valign="top" width="133"> <p class="MsoNormal">Japa Pushpa</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 0.25in;" valign="top" width="276"> <p class="MsoNormal">Hibiscus Rosa Senensis</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 0.25in;" valign="top" width="251"> <p class="MsoNormal">Irregular menstruation</p> </td> </tr> <tr style="height: 17.25pt;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 17.25pt;" valign="top" width="133"> <p class="MsoNormal">Ashwagandha</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 17.25pt;" valign="top" width="276"> <p class="MsoNormal">Withania Somnifera</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 17.25pt;" valign="top" width="251"> <p class="MsoNormal">General Weakness</p> </td> </tr> <tr style="height: 17.25pt;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 17.25pt;" valign="top" width="133"> <p class="MsoNormal">Upodika</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 17.25pt;" valign="top" width="276"> <p class="MsoNormal">Basella alba</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 17.25pt;" valign="top" width="251"> <p class="MsoNormal">Mouth Ulcer, Heat</p> </td> </tr> <tr style="height: 0.25in;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 0.25in;" valign="top" width="133"> <p class="MsoNormal">Nimba</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 0.25in;" valign="top" width="276"> <p class="MsoNormal">Azardichta indica</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 0.25in;" valign="top" width="251"> <p class="MsoNormal">Scabies,worms in stomach</p> </td> </tr> <tr style="height: 17.25pt;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 17.25pt;" valign="top" width="133"> <p class="MsoNormal">Tulasi</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 17.25pt;" valign="top" width="276"> <p class="MsoNormal">Ocimum tensiflorum</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 17.25pt;" valign="top" width="251"> <p class="MsoNormal">Common cold</p> </td> </tr> <tr style="height: 17.25pt;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 17.25pt;" valign="top" width="133"> <p class="MsoNormal">Kumari</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 17.25pt;" valign="top" width="276"> <p class="MsoNormal">Aloe barbadensis</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 17.25pt;" valign="top" width="251"> <p class="MsoNormal">Cuts,sore eye,excess menstrual bleeding, white discharge</p> </td> </tr> <tr style="height: 6.75pt;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 6.75pt;" valign="top" width="133"> <p class="MsoNormal">Guduchi</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 6.75pt;" valign="top" width="276"> <p class="MsoNormal">Tinospora Cordifolia</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 6.75pt;" valign="top" width="251"> <p class="MsoNormal">Fever, lack of immunity</p> </td> </tr> <tr style="height: 6.75pt;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 6.75pt;" valign="top" width="133"> <p class="MsoNormal">Dadima</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 6.75pt;" valign="top" width="276"> <p class="MsoNormal">Punica granatum</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 6.75pt;" valign="top" width="251"> <p class="MsoNormal">Dysentry</p> </td> </tr> <tr style="height: 6.75pt;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 6.75pt;" valign="top" width="133"> <p class="MsoNormal">Jambira</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 6.75pt;" valign="top" width="276"> <p class="MsoNormal">Citrus limon</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 6.75pt;" valign="top" width="251"> <p class="MsoNormal">Stomach ache</p> </td> </tr> <tr style="height: 6.75pt;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 6.75pt;" valign="top" width="133"> <p class="MsoNormal">Perala</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 6.75pt;" valign="top" width="276"> <p class="MsoNormal">Psidium gujava</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 6.75pt;" valign="top" width="251"> <p class="MsoNormal">Tooth ache</p> </td> </tr> <tr style="height: 6.75pt;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 6.75pt;" valign="top" width="133"> <p class="MsoNormal">Shatavari</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 6.75pt;" valign="top" width="276"> <p class="MsoNormal">Asparagus racemosus</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 6.75pt;" valign="top" width="251"> <p class="MsoNormal">Increasing lactation</p> </td> </tr> <tr style="height: 6.75pt;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 6.75pt;" valign="top" width="133"> <p class="MsoNormal">Brahmi</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 6.75pt;" valign="top" width="276"> <p class="MsoNormal">Bacopa monnieri</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 6.75pt;" valign="top" width="251"> <p class="MsoNormal">Memory improvement</p> </td> </tr> <tr style="height: 6.75pt;"> <td style="border-style: none solid solid; border-color: -moz-use-text-color windowtext windowtext; border-width: medium 0.5pt 0.5pt; padding: 0in 5.4pt; width: 99.75pt; height: 6.75pt;" valign="top" width="133"> <p class="MsoNormal">Bhringaraja</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 207pt; height: 6.75pt;" valign="top" width="276"> <p class="MsoNormal">Eclipta prostrata</p> </td> <td style="border-style: none solid solid none; border-color: -moz-use-text-color windowtext windowtext -moz-use-text-color; border-width: medium 0.5pt 0.5pt medium; padding: 0in 5.4pt; width: 188.25pt; height: 6.75pt;" valign="top" width="251"> <p class="MsoNormal">Hair growth</p> </td> </tr> </tbody></table> <p class="MsoNormal"><!--[if !supportEmptyParas]--> <!--[endif]--><o:p></o:p></p>sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com5tag:blogger.com,1999:blog-11800603.post-71847191382951663842006-12-31T22:33:00.000-08:002006-12-31T22:35:28.555-08:00y the name sixty four arts???THE part of the Kama Shastra, which treats of sexual<br />union, is also called `Sixty-four' (Chatushshashti). Some<br />old authors say that it is called so, because it contains<br />sixty-four chapters. Others are of opinion that the author<br />of this part being a person named Panchala, and the<br />person who recited the part of the Rig Veda called<br />Dashatapa, which contains sixty-four verses, being also<br />called Panchala, the name `sixty-four' has been given to<br />the part of the work in honour of the Rig Vedas. The<br />followers of Babhravya say on the other hand that this<br />part contains eight subjects, viz. the embrace, kissing,<br />scratching with the nails or fingers, biting, lying down,<br />making various sounds, playing the part of a man, and the<br />Auparishtaka, or mouth congress. Each of these subjects<br />being of eight kinds, and eight multiplied by eight being<br />sixty-four, this part is therefore named `sixty-four'. But<br />Vatsyayana affirms that as this part contains also the<br />following subjects, viz. striking, crying, the acts of a man<br />during congress, the various kinds of congress, and other<br />subjects, the name `sixty-four' is given to it only<br />accidentally. As, for instance, we say this tree is<br />`Saptaparna', or seven-leaved, this offering of rice is<br />`Panchavarna', or five-coloured, but the tree has not seven<br />leaves, neither has the rice five colours.sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com27tag:blogger.com,1999:blog-11800603.post-63654970617599119822006-11-24T06:08:00.000-08:002006-11-24T06:22:32.694-08:00BMIC<div style="text-align: left;"><br /><span style="font-weight: bold; color: rgb(0, 153, 0);">Here is a glimpse of Kanakapura road- Bannerghatta road section of peripheral ring road which is a part of Bangalore Mysore Infrastructure Corridor project.</span><br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/x/blogger2/4123/1440/1600/703323/Image%28319%29.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/x/blogger2/4123/1440/320/876070/Image%28319%29.jpg" alt="" border="0" /></a><br /></div><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/x/blogger2/4123/1440/1600/587746/Image%28318%29.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/x/blogger2/4123/1440/320/863251/Image%28318%29.jpg" alt="" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/x/blogger2/4123/1440/1600/891206/Image%28320%29.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/x/blogger2/4123/1440/320/88012/Image%28320%29.jpg" alt="" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/x/blogger2/4123/1440/1600/451087/Image%28317%29.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/x/blogger2/4123/1440/320/179976/Image%28317%29.jpg" alt="" border="0" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/x/blogger2/4123/1440/1600/39471/Image%28316%29.jpg"><img style="margin: 0px auto 10px; display: block; text-align: center; cursor: pointer;" src="http://photos1.blogger.com/x/blogger2/4123/1440/320/683979/Image%28316%29.jpg" alt="" border="0" /></a>sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com3tag:blogger.com,1999:blog-11800603.post-1145977168934473482006-04-25T07:56:00.000-07:002006-04-25T07:59:28.936-07:00My Dear Fellow BloggersI think I have found out a new use of blogs.(maybe somebody else is doing it already)<br />Instead of writing on to a CD write it here..<br />The two new posts below are such writings..<br />the first one my project and the next one seminar...<br /><br />This was just a trailer...the full report is going to be published soon...keep waitingsixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com3tag:blogger.com,1999:blog-11800603.post-1145976959610472142006-04-25T07:55:00.000-07:002006-04-25T07:55:59.613-07:00Extended AbstractExtended Abstract<br /><br />Squeeze Film Dampers (SFDs) are commonly used to effectively enhance the damping force to the rotating shaft supported by rolling element bearings. Thus, the dynamic behavior of such a rotor system depends strongly upon the dynamic characteristics of the SFD in service. In the past, many researchers put much effort in either experimental determination or analytical prediction of the dynamic properties of SFD in service. However, few research results are found completely satisfactory yet, due to the complexity of the SFD analysis and the difficulty in experimentations.<br /><br />Squeeze film dampers (SFDs) are essential components of high-speed turbomachinery since they offer the unique advantages of dissipation of vibration energy and isolation of structural components, as well as the capability to improve the dynamic stability characteristics of inherently unstable rotor-bearing systems. SFDs are used primarily in aircraft jet engines to provide viscous damping to rolling element bearings which themselves have little or no damping. One other important application is related to high performance compressor units where SFDs are installed in series with tilting pad bearings to reduce (soften) bearing support stiffness while providing additional damping as a safety mechanism to prevent rotordynamic instabilities.<br /><br />In spite of the many successful applications, industry often recognizes that the design of SFDs is based on overly simplified theoretical models that either fail to incorporate or simply neglect unique features (structural and fluidic) that affect the damper dynamic force performance. Actual damper performance can range from erratic to non-functioning depending on the operating conditions. The lack of adequate understanding of the mechanics of squeeze film flows is essentially due to the near absence of fundamental experimental evidence and sound rationale that directly addresses the issues and problems of interest.<br /><br />The earliest application of a SFD in an industrial machine is credited to Sir Charles Parsons who invented in 1889 the radial flow steam turbine; 32 kW in size and running at 6,000 rpm. Arthur Bill from Rolls Royce, Ltd. claimed the first patent describing a SFD. The specification stated an advantageous means of damping vibrations in bearings is to provide a hydrodynamic fluid film, sometimes referred to as a "squeeze film” between the bearing and its supporting structure. One of the specific embodiments of the invention was described as an application to axial flow compressor bearings as used in aircraft engines.<br /><br /><br />A squeeze film damper (SFD) consists of an inner non-rotating journal and a stationary outer bearing, both of nearly identical diameters. Figure 1 shows an idealized schematic of this type of fluid film bearing. A journal is mounted on the external race of a rolling element bearing and prevented from spinning with loose pins or a squirrel cage that provides a centering elastic mechanism. The annular thin film, typically less than 0.250 mm, between the journal and housing is filled with a lubricant provided as a splash from the rolling bearing elements lubrication system or by a dedicated pressurized delivery. In operation, as the journal moves due to dynamic forces acting on the system, the fluid is displaced to accommodate these motions. As a result, hydrodynamic squeeze film pressures exert reaction forces on the journal and provide for a mechanism to attenuate transmitted forces and to reduce the rotor amplitude of motion.sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com2tag:blogger.com,1999:blog-11800603.post-1145976901069214012006-04-25T07:52:00.000-07:002006-04-25T07:55:01.083-07:00AbstractAbstract:<br />Welding is an indispensable manufacturing process used and its effectiveness may be measured by its ability to produce joints of acceptable quality at the lowest possible cost. Unacceptable joint quality may arise from a failure to comply with the specified design or from the incidence of weld defects. These problems are, however, preventable if their causes are understood and the correct operating procedures are followed.<br />The most common welding problems include:<br />• Spatter, molten weld metal ejected from the weld.<br />• Cracking, there are different mechanisms which can lead to the problem, such as solidification cracking, HAZ liquation cracking, reheat cracking and cold cracking.<br />• Porosity, holes formed in the weld metal from entrapped gases.<br />• Shape defects, such as overfill, root convexity, root concavity, undercut, lack of penetration and lack of fusion.<br />• Distortion, the buckling and bending of the component due to stress applied by the heating and cooling of the material.sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com1tag:blogger.com,1999:blog-11800603.post-1130775687761210592005-10-31T08:15:00.000-08:002005-10-31T08:21:37.786-08:00Bhavai<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/88/972/1600/ph42.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://photos1.blogger.com/blogger/88/972/200/ph42.jpg" border="0" alt="" /></a><br />Bhavai(Strolling Players) is a popular folk theatre form of Gujarat. Veshas(means costume) or Bhavai plays are also known as swang. The origin of Bhavai goes back to 14th Century.It is said that Hemala Patel's(a resident of a village called Unza) daughter Ganga was kidnapped by a Muslim Subedar. Their family priest Asait Thakar, a resident of Siddhapur, rushed to the subedar claiming Ganga to be his own daughter.Subedar asked Asait Thakar to eat with Ganga from the same plate to prove that she is really his daughter. Asait did that but for this he incurred the ire of his own caste men and was excommunicated as he had taken food with a low caste Ganga. He started earning his living by performing plays which later came to be known as Bhavai.<br /><br />The caste of the performers of Bhavai came to be known as tragala.In one of his long poems Asaita has given the date of the composition as AD 1360. Thus it seems that Bhavai as a dramatic form emerged in the late 14th century.Asait wrote about 360 plays, out of which some 60 have survived. Some of these veshas bear his name. It is clear from the bhavai performance that this form must have evolved from the earlier known forms of folk entertainment. The word Bhavai in the sense of a show or spectacle occurs in the 13th century Apabhramsa Jain religious verse. It says: "In a tree-less tract even a bunch of eranda(caster oil plant) makes a good show (Bhavai)." Abul Fazal’s Ain-e-Akbari also mentions Bhavai while mentioning some communities.<br /><br />Bhavai is as much a form of entertainment as it is a kind of ritual offering made to Goddess Amba. In the courtyard of the Ambaji temple near Mount Abu the Navratri festival is celebrated with Bhavai performances. Amba is the presiding deity of Bhavai. Bhavai according to some scholars is made up of two words- Bhava and Aai. Bhava means universe and aai is mother, together it means mother of the universe, Amba.<br /><br />Subtle social criticism laced with pungent humour is the speciality of Bhavai. The pompus and incongrous behaviour of the high caste people is scoffed at in Bhavai. Probably the anger over injustice suffered by the originator of Bhavai, Asaita Thakar, got permeated into the art of Bhavai. Some of the Bhavai plays present a scathing review of the caste-riden social structure. People belonging to different levels of social strata ranging from king to knave are portrayed in Bhavai.<br /><br />Bhavai Veshas protray people from all classes of society. The barbers, knife-sharpeners, robbers, bangle sellers and social and economic thieves, banjaras, odas, fakirsand sadhus, darjis. There is a Vesha depicting the story of ansuccesful love affair of a Bania woman and a Muslim Thanedar. At the end of the play Jasma Odan, a Muslim fakir appears to whom people request to revive Jasma.<br /><br />Humor plays a vital part in any Bhavai performance and comes into play even while dealing with mythological personages. This predominance makes Bhavai unique among the traditional arts of India.<br /><br />The chief of the Bhavai troupe is called Nayak. He first marks the performing arena, then offers kumkum to the oil-torch which is a symbol of goddess Amba and sings prayer songs in her praise. Then enters an actor covering his face with a plate, he is Lord Ganesha, the remover of obstacles. Goddess Kali is the next to enter and after she departs comes the Brahmana.After these preliminary appearances the Vesha actually starts.<br /><br />The Nayak and the jester always remain on the stage directing the course of action with their commentary and intervention. Through songs, dialogues, speeches in prose and verse the story unfolds. There is lot of dancing and singing in Bhavai. Female characters are acted by men.<br /><br />The language of Bhavai is a blend of Gujarati, Hindi, Urdu, and Marwari. Veshas were published for the first time in the nineteenth century. Past performances were linked to their predecessors through practice and the oral tradition.<br /><br />The bhungal is a four feet long copper pipe that provides a strong note and is unique to Bhavai. The bhungals are played during dance sequences and otherwise to indicate important characters. Other musical instruments that form part of Bhavai are the pakhwaja (drums), jhanjha (cymbals), the sarangi (a stringed instrument), and the harmonium. The style of music is always Hindustani interspersed with local tunes.<br /><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/88/972/1600/bhavai.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://photos1.blogger.com/blogger/88/972/200/bhavai.jpg" border="0" alt="" /></a>Bhavai is also prevalent in Rajasthan as a folk dance comprising of a spectacular performance. The Dance form consists of veiled women dancers balancing upto seven or nine brass pitchers as they dance nimbly, pirouetting and then swaying with the soles of their feet perched on the top of a glass or on the edge of the sword. There is a sense of cutting edge suspense and nail biting acts in the dance.<br /><br /><a href="http://en.wikipedia.com/wiki/bhavai">Wikilink</a>sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com4tag:blogger.com,1999:blog-11800603.post-1130030494937407232005-10-22T18:10:00.001-07:002005-10-22T18:23:48.590-07:00Muthyalamaduvu<span style="font-style:italic;"><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/88/972/1600/valley1.jpg"><img style="float:left; margin:0 10px 10px 0;cursor:pointer; cursor:hand;" src="http://photos1.blogger.com/blogger/88/972/320/valley1.jpg" border="0" alt="" /></a>This is my second article on wikipedia to posted here. Its about a picnic spot near my hometown. Though a small article but contains my first uploaded and formatted image on wikipedia. Visit the <a href="http://en.wikipedia.org/wiki/Muthyalamaduvu"> wikipage.</a></span><br /><br />Muthyalamaduvu is a picnic spot near Anekal, 40kms from Bangalore.It has a 92 metre high waterfall coming down like the drops of pearl.The source of water is from nearby Onakanahalli Tank. Muthyalamaduvu in local language means 'pearl valley'(muthu = pearl and maduvu = valley).The best time for a visit is during rainy season.It is known for its verdant surroundings and is a great weekend getaway for the urban crowd.There are quite a few resorts nearby.It also has an KSTDC run restaurant.sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com3tag:blogger.com,1999:blog-11800603.post-1129672026049668322005-10-18T14:41:00.000-07:002005-10-19T03:09:05.090-07:00Smitha Patil<a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/88/972/1600/_.jpg"><img style="display:block; margin:0px auto 10px; text-align:left;cursor:pointer; cursor:hand;" src="http://photos1.blogger.com/blogger/88/972/320/_.jpg" border="0" alt="" /></a><br /><a onblur="try {parent.deselectBloggerImageGracefully();} catch(e) {}" href="http://photos1.blogger.com/blogger/88/972/1600/Smitha-Patel.gif"><img style="display:block; margin:0px auto 10px; text-align:right;cursor:pointer; cursor:hand;" src="http://photos1.blogger.com/blogger/88/972/320/Smitha-Patel.gif" border="0" alt="" /></a><br /><br /><span style="font-style:italic;">This is my first article for the democratic encyclopedia after I announced myself as an editor. For more detailed article,visit the wikipage <a href="http://en.wikipedia.org/wiki/Smitha_patil">Smitha Patil</a>.I could not upload her photos because I was too lazy to read the picture tutorial..Anyway uploading it here.</span><br /><br />Smita Patil was the daughter of a minister and a social-worker mother. Born in Pune, Maharashtra, she studied at a Marathi medium school. Her first tryst with the camera was as a television newscaster. Her dusky beauty and large eyes drew attention. Always a bit of a rebel, she would grin when people complimented her on looking lovely in the saris she sported for the telecasts because minutes before going on air, she would have hurriedly wrapped the sari over her jeans.<br /><br />One of the major beneficiaries of the mid-1970s efflorescence of the art movement in Hindi cinema, Smita's film career got off the ground courtesy mentor Shyam Benegal. After he cast her in the children's film Charandas Chor [1975], and in a small role in Nishant [1975], Smita seemed to suddenly hold a monopoly over Benegal. For a while, she even seemed to have won him away from Shabana Azmi, with whom the filmmaker had done some excellent work in Ankur and Nishant. <br /><br />Smita sprang to the spotlight with Benegal's Manthan [1977], where she played a Harijan woman who spearheads a revolt at the milk co-operative. Next, Benegal cast her in a more demanding role --- Bhumika [1977]. A fictionalised biography of Indian actress Hansa Wadkar, Bhumika won Smita the National Award for Best Actress. Smita played the complex role of an actress struggling to lead her life on her own terms (through her chequered history with four men --- Amol Palekar, Anant Nag, Naseeruddin Shah and Amrish Puri) and imbued it with an insight that belied her 22 years! <br /><br />Smita staunchly believed in realistic cinema and accepted offers from new wave directors like Muzaffar Ali [Gaman, 1979] and Dharamraj [Chakra, 1981). For the latter, she visted jhopadpatis (slums) as part of her research and it culminated in another National Award. <br /><br />With Govind Nihalani she worked in the scorchingly intense Aakrosh [1980], where she played a tribal woman who is brutally raped and murdered. She worked with Satyajit Ray in his television film Sadgati [1981]. <br /><br />In a bid to sate her gnawing need for good roles, Smita ventured into the regional arena too with the Marathi movie Jait Re Jait [1978], Mrinal Sen's Bengali film Akaler Sandhaney [1980] and Ketan Mehta's much acclaimed debut in Gujarati cinema, Bhavni Bhavai [1980]. <br /><br />As long as it revealed the psyche of her character, Smita was game to go the extra mile --- she did a bathing scene in the open for Chakra, some intense love-making scenes in Aakrosh and even kissed Kulbhushan Kharbanda's toes in Arth. <br /><br />In the early 1980s, Smita finally relented and trained her sights on commercial cinema. She won new fans with the blockbuster Namak Halal [1982] opposite Amitabh. Their together item song and dance rain number Aaj rapat jaaye showed her in an entirely new light. Ramesh Sippy's Shakti opposite Amitabh followed in 1982. <br /><br />At this stage, Smita's often indiscriminate choice of films left her as bewildered as her fans. Her peripheral roles in Badle Ki Aag, Dil-e-Nadaan and Qayamat were a waste of raw stock and her rare appeal. <br /><br />Smita had qualms about going the whole commercial hog (lore has it that she cried after shooting Aaj rapat jaaye). She was arguably the best in the realistic films which she continued to encourage like Mandi (as the prostitute who has an incestuous relationship) and Subah (as the housewife who learns to be self-reliant). <br /><br /><br />Smita was compared ad nauseum with Shabana Azmi, her senior and rival in the off-beat films' arena. So when the two were pitted opposite each other in Arth [1983], comparisons were inevitable. Shabana had the sympathetic author-backed role but Smita's on-the-edge characterisation of a guilt-ridden mistress had its fair share of admirers, including Amitabh Bachchan and Kamal Haasan. <br /><br />Smita had that rare ability to stand out even in a supporting role --- witness Nihalani's Ardh Satya [1983], the 1984 hit Aaj Ki Awaaz and J P Dutta's Ghulami [1985]. <br /><br />By the mid-1980s Smita was regularly paired with Rajesh Khanna --- Aakhir Kyon [1985], Amrit [1986] and Nazrana [1987] --- and there was a noticeable rise in her glamour quotient. Her earlier harum scarum look segued to her picture-perfect makeup in her popular Aakhir Kyon song Dushman na kare. <br /><br />A series of largely-forgettable films and a much-discussed marriage with the much-married Raj Babbar was an ineluctable part of this mercurial phase of Smita's short but eventful life and career. <br /><br />Smita Patil died on December 14, 1986. She was only 31 years old. Yet, over the course of over 70 films since her debut at age 17 in Shyam Benegal's Charandas Chor, Smita established herself as one of the greatest actresses of the Indian screen. Her extraordinary presence, beauty and intelligence made her a symbol of independence, courage and integrity to millions.<br /><br />In 1985, Smita was honoured with the 'Padmashri' by the President of India. Shyam Benegal says, 'She was a director's actress. She never held back or resisted direction. The quality of her performance often depended on the quality of the director.' 'I signed her for Namak Halal against all odds,' said Prakash Mebra, 'The same people who felt I had committed a blunder, complemented me on the release of the film. It was a glamorous role and she was the right choice.'sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com6tag:blogger.com,1999:blog-11800603.post-1129566246736966292005-10-17T09:19:00.000-07:002005-10-17T14:36:12.630-07:00Wikipedia - The Free EncyclopediaWikipedia is GOD. I realized this after going through auto pages for a quick brush up for the Auto Quiz. Well, we won it.<br /> You can see <a href="http://quirkymurmur.blogspot.com">nikhil's</a> blog for more details.<br />Though the end of the day was more like the climax in Dweepa,the kasaravalli national award winning movie. I and shashank were found sitting just like Soundarya in the movie.<br /><br />The whole point of this post is that the blog is taking a new form. As a self-claimed wikipedia editor, I am going to post all my wikipedia activities here. There will be no more long months of wait for my power to write a post. It's wiki for sure from now onwards.sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com1tag:blogger.com,1999:blog-11800603.post-1119478066800463572005-06-22T15:04:00.000-07:002005-06-23T05:34:24.630-07:00NIT Surat going globalIt was really heartening to see our college website entering an international competition.<a href="http://icwdic.webcontent-m1.com/m1/en/contestants/contestants">Contestants</a> are from various countries with maximum entries from India.We are the only NIT other than NIT Kurukshetra.<br /><br /><b>Can't believe I am a member of the college website club.</b><br /><br />Another case of college going global<br /><br />An alumnus of our college is a VP in a software company.<br /><a href="http://www.calsoft.co.in/about_us/enterprisevp.html">Dinesh Mohan</a> is a VP in California Software.<br /><br />Third case is abount an IBM technology author <a href="http://www.research.ibm.com/journal/sj/432/ponzoaut.html">Jobi George</a>sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com5tag:blogger.com,1999:blog-11800603.post-1119296016254972492005-06-20T12:20:00.000-07:002005-06-20T12:36:25.566-07:00X-Y Co ordinatesIt is so nice to be alone in a hostel with only 4 or 5 friends with you but far from your room.I hated the days when morning sun fell directly in my bed. At last, rainy season has started in Surat.After my dinner I came back to the room and started my pc. It was a pleasant atmosphere in the room with cool breeze coming in from window. As I settled in my chair to decide what to do with the pc, I slowly and gently place my right hand over her and my fingers covering her lips.I moved here and there like a couple in a ball dance.I tapped her lips, she sqeauked,her face became red and gave an radiating smile. I moved her here and there and also tapped her. Sometimes once, sometimes twice.For the last time I tapped her left lip twice and started watching video of Pink Floyd - learning to Fly.She is my Intek Optical Mouse.sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com6tag:blogger.com,1999:blog-11800603.post-1118751546984302322005-06-14T05:18:00.000-07:002005-06-14T05:19:06.990-07:00SE7EN<table style="font-family: serif; color: black; font-size: 12pt;" width="200" align=center border=1 bordercolor=black cellspacing=0 cellpadding=5><br /><tr><td align="center" bgcolor="#FFD391"><br /><h3 style="margin: 0; border: 0;">Your Deadly Sins</h3><br /></td></tr><br /><tr><td bgcolor="#FFCE93"><br /><strong>Pride</strong>: 40%<br /></td></tr><br /><tr><td bgcolor="#FFC995"><br /><strong>Envy</strong>: 20%<br /></td></tr><br /><tr><td bgcolor="#FFC498"><br /><strong>Gluttony</strong>: 20%<br /></td></tr><br /><tr><td bgcolor="#FFBF9A"><br /><strong>Lust</strong>: 20%<br /></td></tr><br /><tr><td bgcolor="#FFB99C"><br /><strong>Sloth</strong>: 20%<br /></td></tr><br /><tr><td bgcolor="#FFB49E"><br /><strong>Wrath</strong>: 20%<br /></td></tr><br /><tr><td bgcolor="#FFAFA1"><br /><strong>Greed</strong>: 0%<br /></td></tr><br /><tr><td bgcolor="#FFAAA3"><br /><strong>Chance You'll Go to Hell</strong>: 20%<br /></td></tr><br /><tr><td bgcolor="#FFA5A5"><br />You will die from faulty botox injection.</td></tr><br /></table><br /><div align="center"><br /><a href="http://www.blogthings.com/howsinfulareyouquiz/">How Sinful Are You?</a><br /></div>sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com1tag:blogger.com,1999:blog-11800603.post-1118142657013721382005-06-07T03:57:00.000-07:002005-06-10T04:34:29.893-07:00OBITUARYOur dear pet <b>kudi</b> died yesterday night in DRM's hand(he didn't kill). The cause of the death was unknown.It was not because of hunger as we used to feed him regularly.There wasn't any disease troubling her. May be she ate something which choked her to death.DRM says she was finding it difficult to breathe in her last moments.May be choking is the reason.<br /><br />If you are wondering who the hell(heaven??!!) is kudi;Kudi and kenny were two little puppies brought by kenny and potu from somewhere near CCC(computer centre). These two were the only life forms with whom we could pass our time during PL(preparatory leave) and exams.Kenny was found missing a few days after our exams;kenny says he was eaten by pigs.confusing??<br /><br />We dug a grave for her near the pole of our H-4's volleyball court. May her soul Rest In Peace.<br /><br />P.S.- Kenny was named after our friend kenny. Kudi was named after our fearless friend Ashish Vidyarthi(his nickname is kudi)sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com2tag:blogger.com,1999:blog-11800603.post-1117706870937067322005-06-02T02:55:00.000-07:002005-06-02T03:07:50.940-07:00Why do I write such stupid blogs?Wait. First of all I do not write blogs. All my posts have been clipboard items. Lyrics of pink floyd, gita quotes have been copied from a site. I just added few lines above or below it.The other two posts are my genius algorithms where I wrote only one line and copy-pasted it to make a big poem(if you can call it so). The last post was an object file of an error free program written by sapari(ask me if you want to know about him).Junglee I am not a gr8 programmer I just copy-paste programs of a gr8 programmer(sapari).<br /><br />Oh my god!!!<br /><br />I have written so much on my own. I am exhausted now. I must sleep.<br /><br />P.S.: I did try googling for a new post, thought why not write a decipherable post.sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com4tag:blogger.com,1999:blog-11800603.post-1117380843026646822005-05-29T08:33:00.000-07:002005-05-29T08:34:41.503-07:00_@(_99€ GRAFIX.CPP˜ˆ TC86 Borland Turbo C++ 3.00‘ˆ éI”82GRAFIX.CPPZˆ é R E:\TC\INCLUDE\GRAPHICS.Hàˆ é R E:\TC\INCLUDE\_DEFS.H¶ˆ å Œˆ å †ˆ ã Mˆ æ path ðÿ driver üÿ mode þÿyˆ ç1 [ˆ ç1 [ˆ î - Lˆ å 1 [ˆ å 4 Xˆ ç@ Lˆ ç@ Lˆ î 1 4 > ܈ 錈 ê {–( _TEXT CODE _DATA DATA _BSS BSS DGROUPј (@ ó˜ H ˜ H š ÿ ÿ UŒ N_SCOPY@ æˆ ã # Eˆ à {Œ _restorecrtmode ˆ ã # Hˆ à zŒ _initgraph 8ˆ ã # Gˆ à yŒ _closegraph Ôˆ ã # Fˆ à x @endGraph$qv1 «ˆ ã # Iˆ á ] @startGraph$qv ሠã # Hˆ á \ D U‹ìƒì Fð P¸ P¹ è FðP FþP FüPš ƒÄ ‹å]ÃU‹ìš š ]㜠Ì:V Ì5V Ì&V „ V Ä t E:\tc\bgi\ ³ˆ è GRAFIX.CPPI”82Z”# - 1 4 9 > Š t
<br />sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com5tag:blogger.com,1999:blog-11800603.post-1115134773977839752005-05-03T08:33:00.000-07:002005-05-03T08:39:33.976-07:00Bow wowAfter studying ignition systems, with encouragement from <strong>spark </strong>and our <strong>A new bow's</strong> difficulty in reading my first poem. I decided to translate my poem into tur<strong>bowC. </strong>After hours of searching the net for a translator software, finally translated it. Here it is...........<br />Note: The last line means =" This is a computer generated code"<br /><br />bow wow wow<br />bow wow wow<br />bow wow wow<br />bow wow wow<br /><br />bow wow wow<br />bow wow wow<br />bow wow wow<br />bow wow wow<br /><br />bow wow wow<br />bow wow wow<br />bow wow wow<br />bow wow wow<br /><br />bow wow wow<br />bow wow wow<br />bow wow wow<br />grrrrr wooof wooof wwoof grrrrrsixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com1tag:blogger.com,1999:blog-11800603.post-1115091075841429442005-05-02T20:28:00.000-07:002005-05-02T20:31:15.843-07:00My First Poem<strong>Naaki telidra babu</strong><br /><br />I dont know<br />I dont know<br />I dont know<br />I dont know<br /><br />I dont know<br />I dont know<br />I dont know<br />I dont know<br /><br />I dont know<br />I dont know<br />I dont know<br />I dont know<br /><br />I dont know<br />I dont know<br />I dont know<br />I dont know<br /><br />I dont know<br />I dont know<br />I dont know<br />I dont know<br /><br />I dont know<br />I dont know<br />I dont know<br />I dont know<br /><br />I dont know<br />I dont know<br />I dont know<br />I dont know<br /><br />I dont know<br />I dont know<br />I dont know<br />This is a computer generated code.sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com3tag:blogger.com,1999:blog-11800603.post-1113347203200188002005-04-12T15:58:00.000-07:002005-04-12T16:12:28.876-07:00QUIT SMOKING<strong>Here are some quotes from Bhagvad Gita.</strong><br /><br /><strong>Anti Smoking campaigns should use these quotes in their campaign.<br /><br /><br />The desire for sensual pleasures fades away if one abstains from sense enjoyment, but the craving [for sense enjoyment] remains. The craving also disappears from the one who has seen [or known] the Supreme."<br /><br />A person is said to have achieved yoga, the union with the Self, when the perfectly disciplined mind gets freedom from all desires, and becomes absorbed in the Self alone."<br /><br />There is neither Self-knowledge nor Self-perception to those whose senses are not under control. Without Self-perception there is no peace; and without peace there can be no happiness."<br /><br />Sever the ignorant doubt in your heart with the sword of self-knowledge. Observe your discipline. Arise."<br /><br />"With the destruction of the family, the eternal family traditions are destroyed, and immorality prevails due to the destruction of family traditions."<br /><br />"The foods that promote longevity, virtue, strength, health, happiness, and joy; are juicy, smooth, substantial, and agreeable to the stomach."<br /><br />"Earth, water, fire, air, ether, mind, intelligence and false ego-all together these eight contitute my separted material energies"<br /></strong><br /><strong>The mind acts like an enemy for those who do not control it."</strong>sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com6tag:blogger.com,1999:blog-11800603.post-1112371433575709422005-04-01T08:00:00.000-08:002005-04-01T08:03:53.576-08:00Comfortably Numb<div align="center"><strong><span style="font-size:130%;">If you are or were in an engineering college and u got GPL(G***d Pe Laat) on ur birthday , you would exactly feel like this.</span></strong></div><div align="center"><strong><span style="font-size:130%;"></span></strong> </div><div align="center"><strong><span style="font-size:130%;"></span></strong> </div><div align="center"><strong><span style="font-size:130%;">Pink Floyd</span></strong> </div><div align="center"> </div><div align="center"><strong>Comfortably Numb </strong></div><strong><div align="center"><br /></strong>Hello?<br />Is there anybody in there?<br />Just nod if you can hear me.<br />Is there anyone home?<br />Come on, now.<br />I hear you're feeling down.<br />Well I can ease your pain,<br />Get you on your feet again.<br />Relax.<br />I need some information first.<br />Just the basic facts,<br />Can you show me where it hurts?<br />There is no pain, you are receding.<br />A distant ship's smoke on the horizon.<br />You are only coming through in waves.<br />Your lips move but I can't hear what you're sayin'.<br />When I was a child I had a fever.<br />My hands felt just like two balloons.<br />Now I got that feeling once again.<br />I can't explain, you would not understand.<br />This is not how I am.<br />I have become comfortably numb.<br />Ok.<br />Just a little pinprick.<br />There'll be no more ...Aaaaaahhhhh!<br />But you may feel a little sick.<br />Can you stand up?<br />I do believe it's working. Good.<br />That'll keep you going for the show.<br />Come on it's time to go.<br />There is no pain, you are receding.<br />A distant ship's smoke on the horizon.<br />You are only coming through in waves.<br />Your lips move but I can't hear what you're sayin'.<br />When I was a child I caught a fleeting glimpse,<br />Out of the corner of my eye.<br />I turned to look but it was gone.<br />I cannot put my finger on it now.<br />The child is grown, the dream is gone.<br />I have become comfortably numb.<br /></div>sixtyfourartshttp://www.blogger.com/profile/09264449334962499993noreply@blogger.com5